A residential project at Augustiner Chorherrenstift Monastery in Bodensee, where a group of five international artists were invited to research and develop a work responding to Hildegard Von Bingen’s Ordo Virtutum — an allegorical morality play composed circa 1151.

What emerged from this period was a performative installation, exploring themes of renunciation, identity, morality and rebellion, which took place through a series of stagings and settings within the monastery, expressing an interpretation of Hildegard’s work through movement, voice, theatre, music, photography and poetry.

Supported by Kultur.Konvent.Öhningen, project for the cultural revitalisation of the former Augustinian canons' monastery in Öhningen.

Developed in collaboration with artists Wolke Milena Wilke, Alexander Weber, Tanit Graffelman Brucart and Britt Angus.